Selenkina‘s work received the Bright Future Award of the Hubert Bals Fund of Rotterdam International Film Festival, Eurimages Lab Project Award at Les Arcs Film Festival, a special prize at Venice International Film Festival, best film award at Camden International Film Festival and at FILMADRID and best national film at New Holland Island International Debut Film Festival. Together with a group of cultural workers and activists she started Beda, an independent online research journal and media with a decolonial focus on Russia's imperial past, present and its possible futures. Since the war started, Ekaterina turned to activist practices in direct response to the Russian military aggression and its imperial project. One of her primary interests is community building and non-hierarchical knowledge sharing. 1992, Russia) has been working as a filmmaker and curator with the type of cinema that challenges the dominant narratives and modes of production. Taking place in sleepy neighbourhoods, among the concrete walls of highrises, behind garages and amidst abandoned railroads, Detours alternately follows and loses track of Denis, the treasureman who hides stashes of drugs all over the city.Įkaterina Selenkina (b. The film depicts a new way of dealing illicit drugs via the Darknet, the layering of the physical and the virtual realities, as well as a poetics, and politics, of space. Detours (Obkhodniye puti) is a sprawling meditation on the choreography of bodies in Moscow’s urban landscape.
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